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R.A.W. (AKA 6BLOCC)
(Lo Dubs / Foul Play / Terminal Dusk / Mictlan / N20 -Los Angeles)

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In youth we learn, in age we understand.’ It’s a well-used quote, but one that carries significant weight when attempting to map the musical path of American DJ/producer R.A.W. aka 6BLOCC. Back when most of today’s current crop of dubstep artists were nothing more than an itch in their daddys’ undies, R.A.W. was already well established in LA’s flourishing hip hop scene, a talented DJ and turntablist going under the name of BBOY3000. “I grew up listening to my mom’s 45 records by Little Richard, James Brown and tons of oldies. My father was into groups like Chicago, War, Tierra, and he and I went to many concerts together like Devo and Kiss. We almost got into the Soul Sonic Force show but someone started shooting outside.’ Thankfully he managed to stay out the cross fire, and by the age of 12 had started to dabble in production, messing around with drum machines, keyboards and cheap effect pedals. When the first buds of hip hop began to bloom, he was quick to act, and those early years of his professional career were spent absorbed in the scene, putting in the hours and carving out the good times in the Californian sunshine. Playing gigs in clubs as well as throwing house, hall and backyard parties with the likes of NWA, Tone Loc and Easy E, it looked like BBOY3000 and hip hop were meant to be together forever. But in the early 90’s, the beat of a new bass line bounded across the Atlantic, striking a chord with his pliable mind and applicable skill set. BBOY3000 ceased to be and R.A.W was born. “It stands for ‘Runs All Warehouses’”, says the man himself, “It’s for my ‘rave biznizz!’”
For over a decade UK hardcore, jungle and drum and bass would be the staple diet of consumption on the west coast of America, much of it served up by R.A.W, a willing guardian for his hometown’s new adopted sound. “I think LA is a great place for hard electronic music, since the city itself is always in a rush and there is a sense of urban aggression caused by the constant airing of violence on the TV. LA just embraces jungle music naturally because of the big bass sound and the ganja related songs – a match made in heaven!’
Throughout the 90’s R.A.W’s blend of rapid beats, hefty bass lines and reggae vocals quenched the thirst of sweaty ravers across globe. However, yet again, there was a new direction on the horizon and another new sound from the UK was to catch his ear. “I think dubstep music came along at the perfect time because I was now in my mid 30s and ready to chill with the tempo. A year before dubstep came into my mind I was playing dancehall sets at raves and most people were not with it but I think that was a sign, I was ready to chill things out mentally and change my DJ environment. I’m glad I did because the dubstep scene no matter where I go is chill to the bone. Mature electronic biznizz!” The final stage in this 3 part production, 6BLOCC’s take on dubstep is certainly shaped by his two previous incarnations in hip hop and jungle. He’s still got the same turntable trickery that served him so well in those early scratch battles back in the day, and listening to his productions, it’s clear that jungle has never strayed too far from his conscious when it comes down to putting a track together, “When I produce dubstep I think about what I would like to hear if I was on the dance floor. I like to combine the hip hop and reggae elements and I don’t mind taking dubstep to the mainstream audience because it makes people dance and that’s the main reason for DJing.
www.6blocc.com/
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